contact us. Here, we delve into how restaurant brands are adapting to the new normal, With commissions from the New York Times and Medium, Xinmei Liu enjoys combining nostalgia with satire to create surreal and surprising illustrations, The Tony’s Chocolonely brand started as a way to change the cocoa industry. ‘The way in which that piece of work rings true to people is astonishing,’ she says. By Alicia Hansen. Those inside Christie’s Rockefeller Center saleroom on Wednesday evening were treated to a new chapter in the story, however, as this gleaming, 41-inch-high bunny sold for $91,075,000 (including buyer’s premium) — a new world auction record for a work by a living artist. ‘Simon’s script felt like a kind of allegory,’ says Christie. We walk to Wyndham’s for ES’s shoot, where she heads not for the theatre’s entrance but its stage door. Bunny Christie On Creating Positive Messaging With Designers Collective #SCENECHANGE. All rights reserved. A series of Bunny Christie's set designs for The Comedy of Errors, 2011. Emil and the Detectives — Bunny Christie. Malika Favre’s sexy Kama Sutra alphabet is now available in book form. The set by Bunny Christie is a stylish sliding affair with complementary mood lighting (from Paule Constable). But will they sink back into the depths when no longer needed? 3, 2020 ... even though I'd seen lots of their work. Sooke woman looking to hop into bigger space for bunny business. ‘A little bit, yeah — but I don’t live in a design haven, that’s for sure.’ Though generous about discussing her practice, she is reticent about revealing where she lives — East Finchley — her age, anything much about her son and daughter or their actor father, or even the origins of her nickname. For Christie, ‘the play is the thing’. ‘A lot of the stuff that maybe looked hi-tech and magical was actually really low-tech. Amy McLaughlin has rescued over 400 bunnies across the Island, mainland Aaron Guillen; Jan. 25, 2021 9:08 a.m. Community; Local News; News; Amy McLaughlin’s home is filled with life, laughs, and love, but it’s most known for being the house on the block with tons of bunnies. But, as a new book points out, for those working in the creative industries, the offering has proved a particularly bad deal, As a taxi driver in the 70s and 80s, photographer Joseph Rodriguez captured the intensity of New York City from the driver’s seat. The elegant costumes for Elizabeth Debicki’s Mona came from vintage finds and new designs — one sketched out from a memory of a catsuit worn by her mother in the 1960s. Bunny Christie was the designer for Emil and the Detectives at the National Theatre. On 12 March, I was sitting in the Bernard B. Jacobs Theatre on 45th Street with Marianne Elliott working on Company. Left, Christie’s design for People, Places and Things, Right, the set for The Curious Incident of the Dog in the Night-Time, With Finn Ross, winnning an Olivier for The Curious Incident of the Dog in the Night-Time, Small wonder: one of Christie’s doll’s house models for The Red Barn, PM urges remaining eligible individuals to come forward for Covid jab, More than 13,000 new Covid cases as UK records 1,001 further deaths, The FTSE’s best and worst shares a year on from the Covid crash, Vaccine ‘passports’ on way (but still ‘too soon’ to book a holiday), Kasia Lenhardt found dead at 25 after break-up with Jerome Boateng, Rihanna’s Fenty fashion line to close its doors, PM urges eligible people to get Covid jab amid holidays confusion, British and US embassies in Twitter spat over Weetabix and baked beans, London Covid rate now below northern regions amid sharp fall in cases. We look back at ten of our favourites, The Netflix hit series The Queen’s Gambit has brought chess back into the limelight. I grew up in Scotland and was involved in my school … Bunny Christie creates immersive worlds for theatrical productions. Gwendoline Christie was born in Worthing, West Sussex, England and trained in dance and gymnastics as a child. More information can be found in our Cookies Policy and Privacy Policy. David Jays, writing in The Guardian, described her style: "Bunny Christie doesn’t design stage sets. What will British branding look like post-Brexit? Details. The Comedy of Errors set image, designed by Bunny Christie. I thought, “Yeah, that’s great”.’ On stage, scenes were presented within a cineframe aperture. ‘One of the things I love about theatre is that you get these chances to discover other worlds,’ she says. She was born in Austin, Texas February 1, 1955 to Billy Wray Glenn and Betty Joyce Wieland Schmitt. [Polly Borland; Nick Cave; Will Self; Mark Holborn; Michael Hoppen Photography (Gallery)] Home. So when things were moving around it was because the crew were pushing things around. Amy McLaughlin has rescued more than 400 bunnies, pushing for the capacity to help more Aaron Guillen; Jan. 28, 2021 7:00 a.m. News; Amy McLaughlin’s home is filled with life, laughs, and love. Discover (and save!) What is the difference between drawn stage designs and model sets? Jul. Bunny Christie’s most recent work includes –The Curious Incident of the Dog in the Night Time (NT & West End- Olivier Award and Broadway NY 2014), Emil & the Detectives, Blurred Lines, Children of the Sun (NT), Julius Caesar (Donmar & NY), The House of Bernarda Alba (Almeida), Private Lives and Hay Fever (West End). Can an algorithm unpick gender bias in storytelling? There, seeing how much fun the theatre design students were having, she chose her specialism. Bunny Christie has won numerous awards for her spectacular set and costume designs. Alicia recently interviewed Bunny Christie, the Scenic & Costume Designer of The Curious Incident of the Dog in the Night-Time, about her experience in designing this Tony Award winning play. Pop artist Jeff Koons's iconic work "Rabbit" is being auctioned by Christie's and is expected to fetch $50 to $70 million dollars. ‘It was very much written like it could be done in a schoolhall,’ she recalls. Mar 31, 2015 - This Pin was discovered by Michelle Johnson. Her joy in the success of The Curious Incident of the Dog in the Night-Time is heightened by the happy memories of working on it. Use the form on the right to contact us. The play requires subtlety to work. How crucial is luck in making great work? 2010. Teh Internet Is Serious Business at the Royal Court, London, in … Hers is an astonishing body of work. Scenic design by Chun-An Hsieh. Stink Studios’ James Britton hopes not, The illustrator’s 26 saucy letters have been immortalised in print, thanks to a glossy hardback book from Counter-Print, Ben & Jerry’s global social mission officer Dave Rapaport talks to Anna Burzlaff, head of cultural insights and strategy agency Truth, about the brand’s approach to activism, and what it takes to make credible change in the world today, Hospitality has been hit hard by the pandemic, but in the midst of increased restrictions restaurateurs are finding creative ways to reach hungry punters at home. Strobe lighting, sound and a snow machine created the blizzard. What does Bunny Christie (Designer for the National Theatre, UK) suggest you write down about each scene before you start designing? Whether she’s depicting alternate realities or bygone eras, her sets are consistently imaginative – combining innovative tech with dazzling visuals which draw the audience in. Find items in libraries near you. Auctions Jeff Koons’s Bunny Sets a New Record for a Living Artist in Christie’s Half-Billion-Dollar Postwar and Contemporary Art Sale. Director Dominic Cooke, Lighting Designer Paule Constable. Dangerous dreams: the mind-blowing world of designer Bunny Christie – in pictures Mon 4 Sep 2017 09.38 EDT Last modified on Wed 23 Sep 2020 10.13 EDT Share on Facebook Auctions Jeff Koons’s Bunny Sets a New Record for a Living Artist in Christie’s Half-Billion-Dollar Postwar and Contemporary Art Sale. Bunny Christie is a theatre designer of huge national importance. She has won four Olivier Awards and also worked on Kenneth Branagh's Oscar-nominated short film Swan Song. Here, Hazel Davis reflects on how the medium is growing ever more part of the art establishment, yet can still be used as a force for change, JKR executive creative director Lisa Smith explains why the fast food giant ditched the glossy buns and embraced a bit of nostalgia, to become “how you imagine BK to be on its best day”, Having just graduated, the designer experiments with different styles and imagery in his posters to challenge himself and connect with the design community, Lucky Generals founding partner Andy Nairn talks to us about why brands and organisations should embrace strategies to encourage a stroke of luck – and also recognise the positives in bad fortune, Teeter-Totter Wall has been announced as the overall winner of the Beazley Designs of the Year, while category winners include a Covid-19 visualisation and a portable school, Black and white lettering stretches 88ft high in the designer’s biggest artwork so far, which adorns the end of a historic canal-side building in the city, With the uncertainty and challenges of 2020 following us into the new year, we talk to a number of industry experts about the ways that creatives can survive – and even thrive – in 2021, Tech firms once claimed they could set us free. Bunny Christie is the multi-award winning Production Designer currently working on the stunning Julius Caesar at The Bridge Theatre. Bunny Christie's astonishing set designs have the power to transform productions and transport audiences. Howard Davies’s production of Mikhail Bulgakov’s Ukrainian civil war-set drama required a set that changed from family home to Hetman’s palace, army HQ and school hall. Looking slender in a red puffy coat and black camouflage … She is close to Elliott, whose production of Sondheim’s Company she will design next year. Director Dominic Cooke, Lighting Designer Paule Constable Director … He talks to us about his childhood, learning from the greats, and his ‘get close’ mantra, Images of mythical creatures and domestic sorcery are all part of artist and photographer Sydney Rahimtoola’s attempt to document the “little magical moments” of everyday life, As the ad industry moves increasingly quickly towards a freelance model, our advertising correspondent Ben Kay asks whether it’s time for creatives to unionise, At a time when criticism of the BBC feels more intense than ever, the broadcaster has put together a two-minute film to remind us all of the quality programming it delivers, As We Are Social releases its annual trends report, chief strategy officer Mobbie Nazir reveals evidence of a move towards simpler and kinder social media habits that look to brands for assistance rather than aspiration, Streaming giants ruled the roost once again in 2020, while many of us also sought comfort in the familiarity of public service broadcasters, in a year where we’ve essentially been forced to stay glued to our sofas, In a year of flux, magazine covers were dominated by radical change, calls for change and the changemakers themselves. Director Bijan Sheibani and Lighting Designer Lucy Carter. The whole of the stage was full of boxes of different spaces that had to be manoeuvred like a game of Tetris. The American artist's "Rabbit," a stainless steel figure measuring just over 3 feet tall, sold for more than $91 million Wednesday evening at Christie's in New York, smashing auction estimates. Marianne Elliott, launching her new commercial theatre company, directs Anne-Marie Duff and Kenneth Cranham as a kooky American and much older Londoner forging an unlikely relationship. ‘These people are in limbo, held in air. Yet such is the spectacular nature of her designs that Christie has become a star in her own right. Can creativity save restaurants from Covid-19? In contrast, Simon Stephen’s Heisenberg: The Uncertainty Principle at Wyndham’s Theatre on Charing Cross Road, for which she worked closely with legendary lighting designer Paule Constable, seems deceptively simple: a lightbox reminiscent of the celestial installations of James Turrell. A series of Bunny Christie's set designs for The Comedy of Errors, 2011 WorldCat Home About WorldCat Help. She graduated from Drama Centre London with a First Class BA (Hons) in 2005 and her first job was with Declan Donellan in 'Great Expectations' at the Royal Shakespeare Company that autumn. Article originally published on Broadway World. She was born in St Andrews, educated at Madras College and at the Central School of Art in London. ‘My favourite, favourite place to be is in the wings watching a show that is really working well,’ enthuses the set designer. ‘For Ink, I did a lot of research into 1960s printing processes. 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